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                  <text>&lt;p dir="ltr"&gt;&lt;span&gt;This catalog collects basic information and resources on LGBTQ-related online communities prior to 2010, particularly those from the so-called Web 1.0 period. Each catalog entry includes information on the group’s format, its approximate dates of activity, its audience and topical focus, and links to other materials discussing the group, such as editorial columns, personal essays, or archival materials.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p dir="ltr"&gt;&lt;span&gt;One of the driving impulses for the creation of this catalog was to offer a starting place for research into early LGBTQ life online. In early web research, simply knowing the name of a place or person could, in some cases, be key to one's success. Beyond just its research utility, however, this catalog is also meant to preserve the memory, if not the content, of communities and groups whose names might otherwise be lost or forgotten.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;h2&gt;Why a Catalog?&lt;/h2&gt;&#13;
&lt;p dir="ltr"&gt;The QDHP has chosen to focus on a catalog, as opposed to an archive, for several reasons. Firstly, at its most basic level, an archive is focused on primary material—in this case, the content of posts. However, archiving for most online groups from the mid-1980s up to the late 1990s is often incomplete at best, so in many cases, there’s limited to no archival material available. Instead, what exists in many cases is secondary material, writing describing or reflecting on posters’ experiences with and in these spaces. The catalog, ideally, links these disparate materials together in order to give a slightly fuller picture of the online landscape at any given time.&lt;/p&gt;&#13;
&lt;p dir="ltr"&gt;Secondly, posters in early LGBTQ groups often wrote (sometimes in detail) about close and personal issues in their lives under the assumption that their posts would remain private within the group. Given this, the catalog has been designed to respect posters’ initial expectation of privacy. Linked content has all been previously published in other venues, and any other detailed personal reflections submitted by users specifically for the catalog have been made public with their consent.&lt;/p&gt;&#13;
&lt;h2&gt;What Qualifies A Community For Inclusion?&lt;/h2&gt;&#13;
&lt;p dir="ltr"&gt;&lt;span&gt;There are no specific criteria determining inclusion in the QDCC. However, many of the communitites currently listed in the catalog have multiple references in contemporaneous periodicals, newsletters, web guides, or other LGBTQ-related informational websites. These sources are key for establishing not only the existence of a space, but its particular attributes.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;h2 dir="ltr"&gt;&lt;strong&gt;On Audience Labels&lt;/strong&gt;&lt;/h2&gt;&#13;
&lt;p dir="ltr"&gt;All of the communities cataloged include descriptive metadata culled from various sources, including contemporaneous listings in print publications and online reference guides. However, the terminology used in archival sources does not always match current preferred terms. &lt;a href="http://notchesblog.com/2017/11/28/troubling-terms-the-label-problem-in-transgender-history/" target="_blank" rel="noopener"&gt;As has been discussed elsewhere&lt;/a&gt;, retroactively applying labels with which individuals or spaces might not have identified is a politically fraught act. The QDHP's metadata practices, then, follow a policy similar to that of the &lt;a href="https://www.digitaltransgenderarchive.net/about/policies" target="_blank" rel="noopener"&gt;Digital Transgender Archive&lt;/a&gt;: whenever possible, we use terminology included in contemporaneous decriptions. If terminology is not used or a detailed description is not available, we categorize using terminology derived from the archival reference.&lt;/p&gt;&#13;
&lt;h2&gt;Adding Communities to the Catalog&lt;/h2&gt;&#13;
&lt;p&gt;This catalog is by no means complete, and the QDHP is always looking for new groups to add, if additional information is available. Please feel free to suggest a community for inclusion using &lt;a href="https://docs.google.com/forms/d/e/1FAIpQLSe9oGcXtpUNGXXhEBIYdZlb40HTj3EDzG_fk4xltxxcCck6AQ/viewform?usp=sf_link" target="_blank" rel="noopener"&gt;this form&lt;/a&gt;, or email Curator Avery Dame-Griff directly at &lt;a href="mailto:admin@queerdigital.com" target="_blank" rel="noopener"&gt;admin@queerdigital.com&lt;/a&gt;.&lt;/p&gt;</text>
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              <text>&lt;span&gt; Gender Advocacy Internet News (1998 - 2004) was a news service maintained by Gender Education and Advocacy (GEA) collecting information relevant to the trans community. GEA was founded in 1998 from the merger of two existing trans community organizations: &lt;/span&gt;the American Educational Gender Information Service (AEGIS) and It's Time, America! (ITA). &lt;br /&gt;&lt;br /&gt;&lt;span&gt;GAIN grew out of ITA's existing news service and was edited by former ITA media director&amp;nbsp;&lt;/span&gt;Penni Ashe Matz until her death in 2001. From 2002 onward, it was edited by Kim Carver and Gwyneth Rhian Morgan.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://queerdigital.com/items/show/111" target="_blank" rel="noopener"&gt;An archive of GAIN digests covering 1998 to 2004&lt;/a&gt; is available at the QDHP. The attached image is taken from the archived GAIN webpage (linked below).&lt;br /&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;a href="https://web.archive.org/web/20000815100131/http://www.gender.org/gain/" target="_blank" rel="noopener"&gt;Archived copy of GAIN page&lt;/a&gt; on GEA's website in the Internet Archive (archived August 15, 2000)&amp;nbsp;&lt;/li&gt;&#13;
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              <text>Organization description (taken from their website): "NTAC, the National Transgender Advocacy Coalition, is a §501(c)(4) political advocacy coalition working to establish and maintain the right of all transgendered, intersexed, and gender-variant people to live and work without fear of violence or discrimination."&lt;br /&gt;&#13;
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&lt;li&gt;&lt;a href="https://web.archive.org/web/20011201083605/http://groups.yahoo.com/group/ntactimes" target="_blank" rel="noopener"&gt;Original Yahoo Groups page&lt;/a&gt; (archived Dec 1, 2001)&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://web.archive.org/web/20040804222934/http://www.ntac.org/pr/index.asp" target="_blank" rel="noopener"&gt;NTAC Press Releases&lt;/a&gt; (archived Aug 4, 2004)&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://web.archive.org/web/20021017213937/http://www.ntac.org/newsletter/" target="_blank" rel="noopener"&gt;NTAC Newsletter&lt;/a&gt; (archived October 17, 2002)&lt;/li&gt;&#13;
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                  <text>&lt;p dir="ltr"&gt;&lt;span&gt;This catalog collects basic information and resources on LGBTQ-related online communities prior to 2010, particularly those from the so-called Web 1.0 period. Each catalog entry includes information on the group’s format, its approximate dates of activity, its audience and topical focus, and links to other materials discussing the group, such as editorial columns, personal essays, or archival materials.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p dir="ltr"&gt;&lt;span&gt;One of the driving impulses for the creation of this catalog was to offer a starting place for research into early LGBTQ life online. In early web research, simply knowing the name of a place or person could, in some cases, be key to one's success. Beyond just its research utility, however, this catalog is also meant to preserve the memory, if not the content, of communities and groups whose names might otherwise be lost or forgotten.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;h2&gt;Why a Catalog?&lt;/h2&gt;&#13;
&lt;p dir="ltr"&gt;The QDHP has chosen to focus on a catalog, as opposed to an archive, for several reasons. Firstly, at its most basic level, an archive is focused on primary material—in this case, the content of posts. However, archiving for most online groups from the mid-1980s up to the late 1990s is often incomplete at best, so in many cases, there’s limited to no archival material available. Instead, what exists in many cases is secondary material, writing describing or reflecting on posters’ experiences with and in these spaces. The catalog, ideally, links these disparate materials together in order to give a slightly fuller picture of the online landscape at any given time.&lt;/p&gt;&#13;
&lt;p dir="ltr"&gt;Secondly, posters in early LGBTQ groups often wrote (sometimes in detail) about close and personal issues in their lives under the assumption that their posts would remain private within the group. Given this, the catalog has been designed to respect posters’ initial expectation of privacy. Linked content has all been previously published in other venues, and any other detailed personal reflections submitted by users specifically for the catalog have been made public with their consent.&lt;/p&gt;&#13;
&lt;h2&gt;What Qualifies A Community For Inclusion?&lt;/h2&gt;&#13;
&lt;p dir="ltr"&gt;&lt;span&gt;There are no specific criteria determining inclusion in the QDCC. However, many of the communitites currently listed in the catalog have multiple references in contemporaneous periodicals, newsletters, web guides, or other LGBTQ-related informational websites. These sources are key for establishing not only the existence of a space, but its particular attributes.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;h2 dir="ltr"&gt;&lt;strong&gt;On Audience Labels&lt;/strong&gt;&lt;/h2&gt;&#13;
&lt;p dir="ltr"&gt;All of the communities cataloged include descriptive metadata culled from various sources, including contemporaneous listings in print publications and online reference guides. However, the terminology used in archival sources does not always match current preferred terms. &lt;a href="http://notchesblog.com/2017/11/28/troubling-terms-the-label-problem-in-transgender-history/" target="_blank" rel="noopener"&gt;As has been discussed elsewhere&lt;/a&gt;, retroactively applying labels with which individuals or spaces might not have identified is a politically fraught act. The QDHP's metadata practices, then, follow a policy similar to that of the &lt;a href="https://www.digitaltransgenderarchive.net/about/policies" target="_blank" rel="noopener"&gt;Digital Transgender Archive&lt;/a&gt;: whenever possible, we use terminology included in contemporaneous decriptions. If terminology is not used or a detailed description is not available, we categorize using terminology derived from the archival reference.&lt;/p&gt;&#13;
&lt;h2&gt;Adding Communities to the Catalog&lt;/h2&gt;&#13;
&lt;p&gt;This catalog is by no means complete, and the QDHP is always looking for new groups to add, if additional information is available. Please feel free to suggest a community for inclusion using &lt;a href="https://docs.google.com/forms/d/e/1FAIpQLSe9oGcXtpUNGXXhEBIYdZlb40HTj3EDzG_fk4xltxxcCck6AQ/viewform?usp=sf_link" target="_blank" rel="noopener"&gt;this form&lt;/a&gt;, or email Curator Avery Dame-Griff directly at &lt;a href="mailto:admin@queerdigital.com" target="_blank" rel="noopener"&gt;admin@queerdigital.com&lt;/a&gt;.&lt;/p&gt;</text>
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              <text>&lt;strong&gt;Attached files:&lt;/strong&gt; &lt;br /&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;Cover for the October 1991 issue of the Critical Path Newsletter, sourced from &lt;a href="https://www.bolerium.com/pages/books/270782/kiyoshi-kuromiya/critical-path-aids-project-vol-2-7-8-october-1991-the-speed-of-light-aids-information-in-the-1990s" target="_blank" rel="noopener"&gt;Bolerium Books&lt;/a&gt;.&lt;/li&gt;&#13;
&lt;li&gt;Photograph of Kuromiya in 1992, originally from &lt;a href="https://www.inquirer.com/health/outraged-over-indifference-aids-act-up-is-rewriting-rules-protest-20110605.html" target="_blank" rel="noopener"&gt;Philadelphia Inquirer&lt;/a&gt;.&lt;/li&gt;&#13;
&lt;li&gt;Press Release on Critical Path as a plantiff in Reno v. ACLU (mirrored from &lt;a href="http://www.qrd.org/qrd/usa/federal/1996/critical.path.fights.net.censorship-02.09.96" target="_blank" rel="noopener"&gt;the Queer Resources Directory&lt;/a&gt;)&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
&lt;strong&gt;Other references:&lt;/strong&gt;&lt;br /&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;Select digital copies of the Critical Path Newsletter available in the &lt;a href="https://queerdigital.com/items/show/96" target="_blank" rel="noopener"&gt;AIDS Info BBS Documents Collection&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;Kiyoshi Kuromiya Exhibit (TBD)&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://web.archive.org/web/19961221111705/http://www.critpath.org/" target="_blank" rel="noopener"&gt;Archived copy of the Critical Path website&lt;/a&gt; (archived Dec 21, 1996)&lt;/li&gt;&#13;
&lt;/ul&gt;</text>
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                  <text>&lt;p dir="ltr"&gt;&lt;span&gt;This catalog collects basic information and resources on LGBTQ-related online communities prior to 2010, particularly those from the so-called Web 1.0 period. Each catalog entry includes information on the group’s format, its approximate dates of activity, its audience and topical focus, and links to other materials discussing the group, such as editorial columns, personal essays, or archival materials.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p dir="ltr"&gt;&lt;span&gt;One of the driving impulses for the creation of this catalog was to offer a starting place for research into early LGBTQ life online. In early web research, simply knowing the name of a place or person could, in some cases, be key to one's success. Beyond just its research utility, however, this catalog is also meant to preserve the memory, if not the content, of communities and groups whose names might otherwise be lost or forgotten.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;h2&gt;Why a Catalog?&lt;/h2&gt;&#13;
&lt;p dir="ltr"&gt;The QDHP has chosen to focus on a catalog, as opposed to an archive, for several reasons. Firstly, at its most basic level, an archive is focused on primary material—in this case, the content of posts. However, archiving for most online groups from the mid-1980s up to the late 1990s is often incomplete at best, so in many cases, there’s limited to no archival material available. Instead, what exists in many cases is secondary material, writing describing or reflecting on posters’ experiences with and in these spaces. The catalog, ideally, links these disparate materials together in order to give a slightly fuller picture of the online landscape at any given time.&lt;/p&gt;&#13;
&lt;p dir="ltr"&gt;Secondly, posters in early LGBTQ groups often wrote (sometimes in detail) about close and personal issues in their lives under the assumption that their posts would remain private within the group. Given this, the catalog has been designed to respect posters’ initial expectation of privacy. Linked content has all been previously published in other venues, and any other detailed personal reflections submitted by users specifically for the catalog have been made public with their consent.&lt;/p&gt;&#13;
&lt;h2&gt;What Qualifies A Community For Inclusion?&lt;/h2&gt;&#13;
&lt;p dir="ltr"&gt;&lt;span&gt;There are no specific criteria determining inclusion in the QDCC. However, many of the communitites currently listed in the catalog have multiple references in contemporaneous periodicals, newsletters, web guides, or other LGBTQ-related informational websites. These sources are key for establishing not only the existence of a space, but its particular attributes.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;h2 dir="ltr"&gt;&lt;strong&gt;On Audience Labels&lt;/strong&gt;&lt;/h2&gt;&#13;
&lt;p dir="ltr"&gt;All of the communities cataloged include descriptive metadata culled from various sources, including contemporaneous listings in print publications and online reference guides. However, the terminology used in archival sources does not always match current preferred terms. &lt;a href="http://notchesblog.com/2017/11/28/troubling-terms-the-label-problem-in-transgender-history/" target="_blank" rel="noopener"&gt;As has been discussed elsewhere&lt;/a&gt;, retroactively applying labels with which individuals or spaces might not have identified is a politically fraught act. The QDHP's metadata practices, then, follow a policy similar to that of the &lt;a href="https://www.digitaltransgenderarchive.net/about/policies" target="_blank" rel="noopener"&gt;Digital Transgender Archive&lt;/a&gt;: whenever possible, we use terminology included in contemporaneous decriptions. If terminology is not used or a detailed description is not available, we categorize using terminology derived from the archival reference.&lt;/p&gt;&#13;
&lt;h2&gt;Adding Communities to the Catalog&lt;/h2&gt;&#13;
&lt;p&gt;This catalog is by no means complete, and the QDHP is always looking for new groups to add, if additional information is available. Please feel free to suggest a community for inclusion using &lt;a href="https://docs.google.com/forms/d/e/1FAIpQLSe9oGcXtpUNGXXhEBIYdZlb40HTj3EDzG_fk4xltxxcCck6AQ/viewform?usp=sf_link" target="_blank" rel="noopener"&gt;this form&lt;/a&gt;, or email Curator Avery Dame-Griff directly at &lt;a href="mailto:admin@queerdigital.com" target="_blank" rel="noopener"&gt;admin@queerdigital.com&lt;/a&gt;.&lt;/p&gt;</text>
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              <text>&lt;strong&gt;Attached files:&lt;/strong&gt;&lt;br /&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;First classified advertisement ever run for 28 Barbary Lane, from the July 24, 1987 issue of &lt;em&gt;Seattle Gay News&lt;/em&gt;. Courtesy of Newspapers.com.&lt;/li&gt;&#13;
&lt;li&gt;Photograph of 28 Barbary Lane landing page, pulled up on a computer monitor, from the Feb 14, 1992 issue of &lt;em&gt;Seattle Gay News&lt;/em&gt;. Courtesy of Newspapers.com.&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
&lt;strong&gt;Links:&lt;/strong&gt;&lt;br /&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;a href="https://web.archive.org/web/20030729194604/http%3A%2F%2F28bbl.com%2F" target="_blank" rel="noopener"&gt;Archived website for 2003 relaunch of 28 Barbary Lane as a web forum&lt;/a&gt; (archived July 29, 2003)&lt;/li&gt;&#13;
&lt;li&gt;"&lt;a href="https://washingtondigitalnewspapers.org/?a=d&amp;amp;d=SGN19850329.1.6&amp;amp;srpos=10&amp;amp;e=-------en-20-SGN-1--txt-txIN-28+Barbary+Lane------&amp;quot;" target="_blank" rel="noopener"&gt;28 Barbary lane - a gay community bulletin board." &lt;em&gt;Seattle Gay News&lt;/em&gt; (May 29, 1985)&lt;/a&gt;: First offical announcement of BBS launch.&lt;/li&gt;&#13;
&lt;li&gt;"&lt;a href="https://gahistoricnewspapers.galileo.usg.edu/lccn/sn61311684/1991-08-01/ed-1/seq-1/" target="_blank" rel="noopener"&gt;Gay bulletin board services offer everything from dates to debates." &lt;em&gt;The Southern Voice&lt;/em&gt; Vol. 4, No. 12 (August 01, 1991)&lt;/a&gt;: Discusses 28BBL in comparison to Atlanta, GA-based gay and lesbian BBSes.&lt;/li&gt;&#13;
&lt;li&gt;"&lt;a href="https://washingtondigitalnewspapers.org/?a=d&amp;amp;d=SGN19920214.1.14&amp;amp;srpos=1&amp;amp;e=-------en-20-SGN-1--txt-txIN-28+Barbary+Lane------" target="_blank" rel="noopener"&gt;Warning: CompuDykes at 9 o'clock." &lt;em&gt;Seattle Gay News&lt;/em&gt; (May 24, 1991)&lt;/a&gt;: Discusses 28 Barbary Lane.&lt;/li&gt;&#13;
&lt;li&gt;"&lt;a href="https://washingtondigitalnewspapers.org/?a=d&amp;amp;d=SGN19920214.1.14&amp;amp;srpos=1&amp;amp;e=-------en-20-SGN-1--txt-txIN-28+Barbary+Lane------" target="_blank" rel="noopener"&gt;Dates and chat, and handles and Sysops." &lt;em&gt;Seattle Gay News&lt;/em&gt; (February 14, 1992)&lt;/a&gt;: Discusses 28 Barbary Lane.&lt;/li&gt;&#13;
&lt;/ul&gt;</text>
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                  <text>&lt;p dir="ltr"&gt;&lt;span&gt;This catalog collects basic information and resources on LGBTQ-related online communities prior to 2010, particularly those from the so-called Web 1.0 period. Each catalog entry includes information on the group’s format, its approximate dates of activity, its audience and topical focus, and links to other materials discussing the group, such as editorial columns, personal essays, or archival materials.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p dir="ltr"&gt;&lt;span&gt;One of the driving impulses for the creation of this catalog was to offer a starting place for research into early LGBTQ life online. In early web research, simply knowing the name of a place or person could, in some cases, be key to one's success. Beyond just its research utility, however, this catalog is also meant to preserve the memory, if not the content, of communities and groups whose names might otherwise be lost or forgotten.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;h2&gt;Why a Catalog?&lt;/h2&gt;&#13;
&lt;p dir="ltr"&gt;The QDHP has chosen to focus on a catalog, as opposed to an archive, for several reasons. Firstly, at its most basic level, an archive is focused on primary material—in this case, the content of posts. However, archiving for most online groups from the mid-1980s up to the late 1990s is often incomplete at best, so in many cases, there’s limited to no archival material available. Instead, what exists in many cases is secondary material, writing describing or reflecting on posters’ experiences with and in these spaces. The catalog, ideally, links these disparate materials together in order to give a slightly fuller picture of the online landscape at any given time.&lt;/p&gt;&#13;
&lt;p dir="ltr"&gt;Secondly, posters in early LGBTQ groups often wrote (sometimes in detail) about close and personal issues in their lives under the assumption that their posts would remain private within the group. Given this, the catalog has been designed to respect posters’ initial expectation of privacy. Linked content has all been previously published in other venues, and any other detailed personal reflections submitted by users specifically for the catalog have been made public with their consent.&lt;/p&gt;&#13;
&lt;h2&gt;What Qualifies A Community For Inclusion?&lt;/h2&gt;&#13;
&lt;p dir="ltr"&gt;&lt;span&gt;There are no specific criteria determining inclusion in the QDCC. However, many of the communitites currently listed in the catalog have multiple references in contemporaneous periodicals, newsletters, web guides, or other LGBTQ-related informational websites. These sources are key for establishing not only the existence of a space, but its particular attributes.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;h2 dir="ltr"&gt;&lt;strong&gt;On Audience Labels&lt;/strong&gt;&lt;/h2&gt;&#13;
&lt;p dir="ltr"&gt;All of the communities cataloged include descriptive metadata culled from various sources, including contemporaneous listings in print publications and online reference guides. However, the terminology used in archival sources does not always match current preferred terms. &lt;a href="http://notchesblog.com/2017/11/28/troubling-terms-the-label-problem-in-transgender-history/" target="_blank" rel="noopener"&gt;As has been discussed elsewhere&lt;/a&gt;, retroactively applying labels with which individuals or spaces might not have identified is a politically fraught act. The QDHP's metadata practices, then, follow a policy similar to that of the &lt;a href="https://www.digitaltransgenderarchive.net/about/policies" target="_blank" rel="noopener"&gt;Digital Transgender Archive&lt;/a&gt;: whenever possible, we use terminology included in contemporaneous decriptions. If terminology is not used or a detailed description is not available, we categorize using terminology derived from the archival reference.&lt;/p&gt;&#13;
&lt;h2&gt;Adding Communities to the Catalog&lt;/h2&gt;&#13;
&lt;p&gt;This catalog is by no means complete, and the QDHP is always looking for new groups to add, if additional information is available. Please feel free to suggest a community for inclusion using &lt;a href="https://docs.google.com/forms/d/e/1FAIpQLSe9oGcXtpUNGXXhEBIYdZlb40HTj3EDzG_fk4xltxxcCck6AQ/viewform?usp=sf_link" target="_blank" rel="noopener"&gt;this form&lt;/a&gt;, or email Curator Avery Dame-Griff directly at &lt;a href="mailto:admin@queerdigital.com" target="_blank" rel="noopener"&gt;admin@queerdigital.com&lt;/a&gt;.&lt;/p&gt;</text>
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&lt;ul&gt;&#13;
&lt;li&gt;Logo for Emerald OnRamp, which first appeared when a user went to log in. Retrived from archived copy of the FirstClass installation package.&lt;/li&gt;&#13;
&lt;li&gt;Advertisement for Emerald OnRamp with screenshots of the service. EOR used the proprietary &lt;a href="https://en.wikipedia.org/wiki/FirstClass" target="_blank" rel="noopener"&gt;FirstClass&lt;/a&gt; software to allow users access to chat rooms, local news, and “digital storefronts.” Advertisement from the March 25, 1994 issue of &lt;em&gt;Seattle Gay News&lt;/em&gt;. Courtesy of Newspapers.com.&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
&lt;br /&gt;&lt;strong&gt;Links:&lt;/strong&gt;&lt;br /&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;a href="https://www.digitaltransgenderarchive.net/files/bz60cw46s" target="_blank" rel="noopener"&gt;"Emerald OnRamp: A Jewel of an Idea." &lt;em&gt;The Ingersoll Message&lt;/em&gt;, Vol. 1 No. 7 (September 1995)&lt;/a&gt; (p. 13): Article on the Seattle-based Ingersoll Gender Center's new "online storefront" on EOR&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://web.archive.org/web/19961104040343/http%3A%2F%2Feor.com%2F" target="_blank" rel="noopener"&gt;Website for Emerald OnRamp&lt;/a&gt; (archived Nov 4, 1996)&lt;/li&gt;&#13;
&lt;/ul&gt;</text>
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                  <text>&lt;p dir="ltr"&gt;&lt;span&gt;This catalog collects basic information and resources on LGBTQ-related online communities prior to 2010, particularly those from the so-called Web 1.0 period. Each catalog entry includes information on the group’s format, its approximate dates of activity, its audience and topical focus, and links to other materials discussing the group, such as editorial columns, personal essays, or archival materials.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p dir="ltr"&gt;&lt;span&gt;One of the driving impulses for the creation of this catalog was to offer a starting place for research into early LGBTQ life online. In early web research, simply knowing the name of a place or person could, in some cases, be key to one's success. Beyond just its research utility, however, this catalog is also meant to preserve the memory, if not the content, of communities and groups whose names might otherwise be lost or forgotten.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;h2&gt;Why a Catalog?&lt;/h2&gt;&#13;
&lt;p dir="ltr"&gt;The QDHP has chosen to focus on a catalog, as opposed to an archive, for several reasons. Firstly, at its most basic level, an archive is focused on primary material—in this case, the content of posts. However, archiving for most online groups from the mid-1980s up to the late 1990s is often incomplete at best, so in many cases, there’s limited to no archival material available. Instead, what exists in many cases is secondary material, writing describing or reflecting on posters’ experiences with and in these spaces. The catalog, ideally, links these disparate materials together in order to give a slightly fuller picture of the online landscape at any given time.&lt;/p&gt;&#13;
&lt;p dir="ltr"&gt;Secondly, posters in early LGBTQ groups often wrote (sometimes in detail) about close and personal issues in their lives under the assumption that their posts would remain private within the group. Given this, the catalog has been designed to respect posters’ initial expectation of privacy. Linked content has all been previously published in other venues, and any other detailed personal reflections submitted by users specifically for the catalog have been made public with their consent.&lt;/p&gt;&#13;
&lt;h2&gt;What Qualifies A Community For Inclusion?&lt;/h2&gt;&#13;
&lt;p dir="ltr"&gt;&lt;span&gt;There are no specific criteria determining inclusion in the QDCC. However, many of the communitites currently listed in the catalog have multiple references in contemporaneous periodicals, newsletters, web guides, or other LGBTQ-related informational websites. These sources are key for establishing not only the existence of a space, but its particular attributes.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;h2 dir="ltr"&gt;&lt;strong&gt;On Audience Labels&lt;/strong&gt;&lt;/h2&gt;&#13;
&lt;p dir="ltr"&gt;All of the communities cataloged include descriptive metadata culled from various sources, including contemporaneous listings in print publications and online reference guides. However, the terminology used in archival sources does not always match current preferred terms. &lt;a href="http://notchesblog.com/2017/11/28/troubling-terms-the-label-problem-in-transgender-history/" target="_blank" rel="noopener"&gt;As has been discussed elsewhere&lt;/a&gt;, retroactively applying labels with which individuals or spaces might not have identified is a politically fraught act. The QDHP's metadata practices, then, follow a policy similar to that of the &lt;a href="https://www.digitaltransgenderarchive.net/about/policies" target="_blank" rel="noopener"&gt;Digital Transgender Archive&lt;/a&gt;: whenever possible, we use terminology included in contemporaneous decriptions. If terminology is not used or a detailed description is not available, we categorize using terminology derived from the archival reference.&lt;/p&gt;&#13;
&lt;h2&gt;Adding Communities to the Catalog&lt;/h2&gt;&#13;
&lt;p&gt;This catalog is by no means complete, and the QDHP is always looking for new groups to add, if additional information is available. Please feel free to suggest a community for inclusion using &lt;a href="https://docs.google.com/forms/d/e/1FAIpQLSe9oGcXtpUNGXXhEBIYdZlb40HTj3EDzG_fk4xltxxcCck6AQ/viewform?usp=sf_link" target="_blank" rel="noopener"&gt;this form&lt;/a&gt;, or email Curator Avery Dame-Griff directly at &lt;a href="mailto:admin@queerdigital.com" target="_blank" rel="noopener"&gt;admin@queerdigital.com&lt;/a&gt;.&lt;/p&gt;</text>
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              <text>www.technodyke.com</text>
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&lt;li&gt;&lt;a href="https://web.archive.org/web/20000701000000*/TechnoDyke.com" target="_blank" rel="noopener"&gt;Archived copy of TechnoDyke.com&lt;/a&gt; (first archived March 10, 2000)&lt;/li&gt;&#13;
&lt;li&gt;Included in &lt;a href="https://cyberfeminismindex.com/#/technodyke" target="_blank" rel="noopener"&gt;The CyberFeminism Index&lt;/a&gt;, developed by Mindy Seu&lt;/li&gt;&#13;
&lt;li&gt;Discussed in relation to the Lanham Trademark Act in &lt;a href="https://www.sfgate.com/politics/joegarofoli/article/Attorneys-find-Dykes-on-Bikes-patently-offensive-2655626.php" target="_blank" rel="noopener"&gt;&lt;em&gt;The SF Gate&lt;/em&gt;&lt;/a&gt; (July 14, 2005) and &lt;a href="https://208.87.242.233/news/morning-mix/wp/2016/09/30/the-idiotic-history-of-deeming-trademarks-scandalous-immoral-or-disparaging/?__cpo=aHR0cHM6Ly93d3cud2FzaGluZ3RvbnBvc3QuY29t" target="_blank" rel="noopener"&gt;&lt;em&gt;The Washington Post&lt;/em&gt;&lt;/a&gt; (Sept 30, 2016)&lt;/li&gt;&#13;
&lt;li&gt;Discussed in Chapter 4 of Jo Reger's &lt;a href="https://archive.org/details/everywherenowher0000rege/page/n7/mode/2up?q=technodyke" target="_blank" rel="noopener"&gt;&lt;em&gt;Everywhere and Nowhere: Contemporary Feminism in the United States&lt;/em&gt;&lt;/a&gt;. (London: United Kingdom: Oxford University Press, 2012.)&lt;/li&gt;&#13;
&lt;/ul&gt;</text>
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&lt;p&gt;The Read/Write Memories Oral History Collection documents the personal narratives of queer/LGBT individuals who used early digital platforms such as bulletin board systems (BBS), Usenet, mailing lists, proprietary platforms, or early websites. These histories chronicle the role digital communications played in queer life, particularly before such systems were commonplace. Beyond oral histories, the R/WM Collection also hosts Personal Accounts, which contain written firsthand narratives of individuals’ experiences with early digital platforms.&lt;/p&gt;&#13;
&lt;p&gt;These remembrances offer a window into digital communication’s larger impact in a narrator’s life, as well as their wider community. Given the ephemeral nature of BBSes as well as the limited archiving of commercial platforms, these interviews and accounts represent a largely undocumented history of the early Net.&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;All interviews and Personal Accounts (unless otherwise negotiated) are released under a &lt;/span&gt;&lt;a href="https://creativecommons.org/licenses/by-nc/4.0/"&gt;&lt;span style="font-weight: 400;"&gt;Creative Commons Attribution—NonCommercial 4.0 International license (BY-NC)&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt;. Both formats may be published under either one’s professional name or a commonly known pseudonymous online handle, and the attached personal image may be either a personal photograph or a distinctive profile icon. As part of the project, oral history recordings and associated documents will also be held and made publicly available in the &lt;/span&gt;&lt;a href="https://www.computerhistory.org/collections/oralhistories/"&gt;&lt;span style="font-weight: 400;"&gt;Oral History Collection&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt; of our institutional project partner, the Computer History Museum.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;If you’re interested in participating, either via an oral history or a Personal Account, please contact curator Avery Dame-Griff at &lt;/span&gt;&lt;a href="mailto:admin@queerdigital.com"&gt;&lt;span style="font-weight: 400;"&gt;admin@queerdigital.com&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt;.&lt;/span&gt;&lt;/p&gt;</text>
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              <text>Max Vasilatos, they/them. With formal education in:  Music, Nursing, Economics, Art, Languages, Criminal Justice, and Forensic Psychology.  Much of my work has been in Geriatric Health Care, Network Engineering, and Law Enforcement.  I sell specialty knives, chain mail, and cast bronze.  Services:  tech support, research, consulting, writing, and teaching.  An ongoing focus has been underground markets.  As of 2022, I draw portraits of deceased pets for their people, to honor their friends in grief and memory. (Provided by narrator.)</text>
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                <text>Transcription edited and cleaned by &lt;a href="https://www.mmonier.com/" target="_blank" rel="noopener"&gt;Mel Monier&lt;/a&gt;</text>
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                  <text>&lt;p dir="ltr"&gt;&lt;span&gt;This catalog collects basic information and resources on LGBTQ-related online communities prior to 2010, particularly those from the so-called Web 1.0 period. Each catalog entry includes information on the group’s format, its approximate dates of activity, its audience and topical focus, and links to other materials discussing the group, such as editorial columns, personal essays, or archival materials.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p dir="ltr"&gt;&lt;span&gt;One of the driving impulses for the creation of this catalog was to offer a starting place for research into early LGBTQ life online. In early web research, simply knowing the name of a place or person could, in some cases, be key to one's success. Beyond just its research utility, however, this catalog is also meant to preserve the memory, if not the content, of communities and groups whose names might otherwise be lost or forgotten.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;h2&gt;Why a Catalog?&lt;/h2&gt;&#13;
&lt;p dir="ltr"&gt;The QDHP has chosen to focus on a catalog, as opposed to an archive, for several reasons. Firstly, at its most basic level, an archive is focused on primary material—in this case, the content of posts. However, archiving for most online groups from the mid-1980s up to the late 1990s is often incomplete at best, so in many cases, there’s limited to no archival material available. Instead, what exists in many cases is secondary material, writing describing or reflecting on posters’ experiences with and in these spaces. The catalog, ideally, links these disparate materials together in order to give a slightly fuller picture of the online landscape at any given time.&lt;/p&gt;&#13;
&lt;p dir="ltr"&gt;Secondly, posters in early LGBTQ groups often wrote (sometimes in detail) about close and personal issues in their lives under the assumption that their posts would remain private within the group. Given this, the catalog has been designed to respect posters’ initial expectation of privacy. Linked content has all been previously published in other venues, and any other detailed personal reflections submitted by users specifically for the catalog have been made public with their consent.&lt;/p&gt;&#13;
&lt;h2&gt;What Qualifies A Community For Inclusion?&lt;/h2&gt;&#13;
&lt;p dir="ltr"&gt;&lt;span&gt;There are no specific criteria determining inclusion in the QDCC. However, many of the communitites currently listed in the catalog have multiple references in contemporaneous periodicals, newsletters, web guides, or other LGBTQ-related informational websites. These sources are key for establishing not only the existence of a space, but its particular attributes.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;h2 dir="ltr"&gt;&lt;strong&gt;On Audience Labels&lt;/strong&gt;&lt;/h2&gt;&#13;
&lt;p dir="ltr"&gt;All of the communities cataloged include descriptive metadata culled from various sources, including contemporaneous listings in print publications and online reference guides. However, the terminology used in archival sources does not always match current preferred terms. &lt;a href="http://notchesblog.com/2017/11/28/troubling-terms-the-label-problem-in-transgender-history/" target="_blank" rel="noopener"&gt;As has been discussed elsewhere&lt;/a&gt;, retroactively applying labels with which individuals or spaces might not have identified is a politically fraught act. The QDHP's metadata practices, then, follow a policy similar to that of the &lt;a href="https://www.digitaltransgenderarchive.net/about/policies" target="_blank" rel="noopener"&gt;Digital Transgender Archive&lt;/a&gt;: whenever possible, we use terminology included in contemporaneous decriptions. If terminology is not used or a detailed description is not available, we categorize using terminology derived from the archival reference.&lt;/p&gt;&#13;
&lt;h2&gt;Adding Communities to the Catalog&lt;/h2&gt;&#13;
&lt;p&gt;This catalog is by no means complete, and the QDHP is always looking for new groups to add, if additional information is available. Please feel free to suggest a community for inclusion using &lt;a href="https://docs.google.com/forms/d/e/1FAIpQLSe9oGcXtpUNGXXhEBIYdZlb40HTj3EDzG_fk4xltxxcCck6AQ/viewform?usp=sf_link" target="_blank" rel="noopener"&gt;this form&lt;/a&gt;, or email Curator Avery Dame-Griff directly at &lt;a href="mailto:admin@queerdigital.com" target="_blank" rel="noopener"&gt;admin@queerdigital.com&lt;/a&gt;.&lt;/p&gt;</text>
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              <text>Attached screenshot taken from Pride! Universe homepage and &lt;a href="https://www.slideshare.net/slideshow/pride-universe-slideshow/2554822"&gt;a slideshow&lt;/a&gt; produced by former community manager Kelly Kuhn.&lt;br /&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;a href="https://web.archive.org/web/19971108123255fw_/http://www.pridemedia.com/universe.html" target="_blank" rel="noopener"&gt;Pride! Universe homepage&lt;/a&gt; (archived Novermber 8, 1997)&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://web.archive.org/web/19991127104132/http://queeryuniverse.com/" target="_blank" rel="noopener"&gt;Queery Universe homepage&lt;/a&gt; (archived November 27, 1999)&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://web.archive.org/web/19971108123544fw_/http://www.pridemedia.com/release-universe.html" target="_blank" rel="noopener"&gt;Press Release announcing the launch of Pride! Universe&lt;/a&gt; (October 2, 1996)&lt;/li&gt;&#13;
&lt;li&gt;Discussed in "&lt;a href="https://archive.org/details/BAR_19961114/page/n9/mode/2up" target="_blank" rel="noopener"&gt;Wired2BGay cruises Middle America&lt;/a&gt;," &lt;em&gt;Bay Area Reporter&lt;/em&gt; v.26, n.46 (November 14, 1996)&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://wiki.renoproject.org/index.php/Conference_with_Senior_Producer,_Greg_Oberfield_-_January_29th,_1997" target="_blank" rel="noopener"&gt;Interview with Greg Oberfield, producer of Pride! Universe for Fujitsu&lt;/a&gt; (January 29, 1997)&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://wiki.renoproject.org/index.php/Timeline#1996" target="_blank" rel="noopener"&gt;Timeline of Habitat Worlds, including Pride! Universe&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://wiki.renoproject.org/index.php/WorldsAway_Newsletters" target="_blank" rel="noopener"&gt;Archive of WorldsAway newsletters, including the announcement of Pride! Universe&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://wiki.renoproject.org/index.php/Meeting_with_Tim_Lavalli_-_July_12th,_1998" target="_blank" rel="noopener"&gt;Discussion of WorldsAway including mention of Pride! Universe with Tim Lavalli&lt;/a&gt; (July 12th 1998)&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://wiki.renoproject.org/index.php/Dreamscape_Pricing_Hearing_-_August_21st,_1997" target="_blank" rel="noopener"&gt;Dreamscape Pricing Hearing (August 21st, 1997)&lt;/a&gt; - Includes mention of Pride!'s impact by several members.&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://www.vzn.eddcoates.com/worldpride.shtml" target="_blank" rel="noopener"&gt;VZ History: Pride/Queery Universe&lt;/a&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
(Some links and information generously provided by Stuart Cass at the &lt;a href="https://renoproject.org/" target="_blank" rel="noopener"&gt;Reno Project&lt;/a&gt;.)</text>
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              <text>Rebranded as Queery Universe in 1999 as part of a partnership with &lt;a href="https://web.archive.org/web/19991127104132/http://www.queery.com/"&gt;Queery&lt;/a&gt;, an LGBT-specific search engine</text>
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                  <text>&lt;p dir="ltr"&gt;&lt;span&gt;This catalog collects basic information and resources on LGBTQ-related online communities prior to 2010, particularly those from the so-called Web 1.0 period. Each catalog entry includes information on the group’s format, its approximate dates of activity, its audience and topical focus, and links to other materials discussing the group, such as editorial columns, personal essays, or archival materials.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p dir="ltr"&gt;&lt;span&gt;One of the driving impulses for the creation of this catalog was to offer a starting place for research into early LGBTQ life online. In early web research, simply knowing the name of a place or person could, in some cases, be key to one's success. Beyond just its research utility, however, this catalog is also meant to preserve the memory, if not the content, of communities and groups whose names might otherwise be lost or forgotten.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;h2&gt;Why a Catalog?&lt;/h2&gt;&#13;
&lt;p dir="ltr"&gt;The QDHP has chosen to focus on a catalog, as opposed to an archive, for several reasons. Firstly, at its most basic level, an archive is focused on primary material—in this case, the content of posts. However, archiving for most online groups from the mid-1980s up to the late 1990s is often incomplete at best, so in many cases, there’s limited to no archival material available. Instead, what exists in many cases is secondary material, writing describing or reflecting on posters’ experiences with and in these spaces. The catalog, ideally, links these disparate materials together in order to give a slightly fuller picture of the online landscape at any given time.&lt;/p&gt;&#13;
&lt;p dir="ltr"&gt;Secondly, posters in early LGBTQ groups often wrote (sometimes in detail) about close and personal issues in their lives under the assumption that their posts would remain private within the group. Given this, the catalog has been designed to respect posters’ initial expectation of privacy. Linked content has all been previously published in other venues, and any other detailed personal reflections submitted by users specifically for the catalog have been made public with their consent.&lt;/p&gt;&#13;
&lt;h2&gt;What Qualifies A Community For Inclusion?&lt;/h2&gt;&#13;
&lt;p dir="ltr"&gt;&lt;span&gt;There are no specific criteria determining inclusion in the QDCC. However, many of the communitites currently listed in the catalog have multiple references in contemporaneous periodicals, newsletters, web guides, or other LGBTQ-related informational websites. These sources are key for establishing not only the existence of a space, but its particular attributes.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;h2 dir="ltr"&gt;&lt;strong&gt;On Audience Labels&lt;/strong&gt;&lt;/h2&gt;&#13;
&lt;p dir="ltr"&gt;All of the communities cataloged include descriptive metadata culled from various sources, including contemporaneous listings in print publications and online reference guides. However, the terminology used in archival sources does not always match current preferred terms. &lt;a href="http://notchesblog.com/2017/11/28/troubling-terms-the-label-problem-in-transgender-history/" target="_blank" rel="noopener"&gt;As has been discussed elsewhere&lt;/a&gt;, retroactively applying labels with which individuals or spaces might not have identified is a politically fraught act. The QDHP's metadata practices, then, follow a policy similar to that of the &lt;a href="https://www.digitaltransgenderarchive.net/about/policies" target="_blank" rel="noopener"&gt;Digital Transgender Archive&lt;/a&gt;: whenever possible, we use terminology included in contemporaneous decriptions. If terminology is not used or a detailed description is not available, we categorize using terminology derived from the archival reference.&lt;/p&gt;&#13;
&lt;h2&gt;Adding Communities to the Catalog&lt;/h2&gt;&#13;
&lt;p&gt;This catalog is by no means complete, and the QDHP is always looking for new groups to add, if additional information is available. Please feel free to suggest a community for inclusion using &lt;a href="https://docs.google.com/forms/d/e/1FAIpQLSe9oGcXtpUNGXXhEBIYdZlb40HTj3EDzG_fk4xltxxcCck6AQ/viewform?usp=sf_link" target="_blank" rel="noopener"&gt;this form&lt;/a&gt;, or email Curator Avery Dame-Griff directly at &lt;a href="mailto:admin@queerdigital.com" target="_blank" rel="noopener"&gt;admin@queerdigital.com&lt;/a&gt;.&lt;/p&gt;</text>
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&lt;li&gt;Discussed in "&lt;a href="https://archive.org/details/Kilobaud198110/page/n27/mode/2up" target="_blank" rel="noopener"&gt;Bawdy Bauds&lt;/a&gt;" (&lt;em&gt;Kilobaud&lt;/em&gt;, October 1981)&lt;/li&gt;&#13;
&lt;li&gt;Discussed in &lt;a href="https://archive.org/details/JacquesValleeTheNetworkRevolution/page/n161/mode/2up" target="_blank" rel="noopener"&gt;&lt;em&gt;The Network Revolution: Confessions of a Computer Scientist&lt;/em&gt;&lt;/a&gt; (1993)&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
Attached clipping about the BAYOPS consortium (where Kinky Kumputer was a member) from &lt;a href="https://archive.org/details/BAR_19870730/page/n19/mode/2up" target="_blank" rel="noopener"&gt;July 30, 1987 issue of the &lt;em&gt;Bay Area Reporter&lt;/em&gt;&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Attached advertisement from the &lt;a href="https://archive.org/details/BAR_19880630/page/n45/mode/1up" target="_blank" rel="noopener"&gt;June 30, 1988 issue of the &lt;em&gt;Bay Area Reporter&lt;/em&gt;&lt;/a&gt;.</text>
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                  <text>&lt;p dir="ltr"&gt;&lt;span&gt;This catalog collects basic information and resources on LGBTQ-related online communities prior to 2010, particularly those from the so-called Web 1.0 period. Each catalog entry includes information on the group’s format, its approximate dates of activity, its audience and topical focus, and links to other materials discussing the group, such as editorial columns, personal essays, or archival materials.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p dir="ltr"&gt;&lt;span&gt;One of the driving impulses for the creation of this catalog was to offer a starting place for research into early LGBTQ life online. In early web research, simply knowing the name of a place or person could, in some cases, be key to one's success. Beyond just its research utility, however, this catalog is also meant to preserve the memory, if not the content, of communities and groups whose names might otherwise be lost or forgotten.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;h2&gt;Why a Catalog?&lt;/h2&gt;&#13;
&lt;p dir="ltr"&gt;The QDHP has chosen to focus on a catalog, as opposed to an archive, for several reasons. Firstly, at its most basic level, an archive is focused on primary material—in this case, the content of posts. However, archiving for most online groups from the mid-1980s up to the late 1990s is often incomplete at best, so in many cases, there’s limited to no archival material available. Instead, what exists in many cases is secondary material, writing describing or reflecting on posters’ experiences with and in these spaces. The catalog, ideally, links these disparate materials together in order to give a slightly fuller picture of the online landscape at any given time.&lt;/p&gt;&#13;
&lt;p dir="ltr"&gt;Secondly, posters in early LGBTQ groups often wrote (sometimes in detail) about close and personal issues in their lives under the assumption that their posts would remain private within the group. Given this, the catalog has been designed to respect posters’ initial expectation of privacy. Linked content has all been previously published in other venues, and any other detailed personal reflections submitted by users specifically for the catalog have been made public with their consent.&lt;/p&gt;&#13;
&lt;h2&gt;What Qualifies A Community For Inclusion?&lt;/h2&gt;&#13;
&lt;p dir="ltr"&gt;&lt;span&gt;There are no specific criteria determining inclusion in the QDCC. However, many of the communitites currently listed in the catalog have multiple references in contemporaneous periodicals, newsletters, web guides, or other LGBTQ-related informational websites. These sources are key for establishing not only the existence of a space, but its particular attributes.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;h2 dir="ltr"&gt;&lt;strong&gt;On Audience Labels&lt;/strong&gt;&lt;/h2&gt;&#13;
&lt;p dir="ltr"&gt;All of the communities cataloged include descriptive metadata culled from various sources, including contemporaneous listings in print publications and online reference guides. However, the terminology used in archival sources does not always match current preferred terms. &lt;a href="http://notchesblog.com/2017/11/28/troubling-terms-the-label-problem-in-transgender-history/" target="_blank" rel="noopener"&gt;As has been discussed elsewhere&lt;/a&gt;, retroactively applying labels with which individuals or spaces might not have identified is a politically fraught act. The QDHP's metadata practices, then, follow a policy similar to that of the &lt;a href="https://www.digitaltransgenderarchive.net/about/policies" target="_blank" rel="noopener"&gt;Digital Transgender Archive&lt;/a&gt;: whenever possible, we use terminology included in contemporaneous decriptions. If terminology is not used or a detailed description is not available, we categorize using terminology derived from the archival reference.&lt;/p&gt;&#13;
&lt;h2&gt;Adding Communities to the Catalog&lt;/h2&gt;&#13;
&lt;p&gt;This catalog is by no means complete, and the QDHP is always looking for new groups to add, if additional information is available. Please feel free to suggest a community for inclusion using &lt;a href="https://docs.google.com/forms/d/e/1FAIpQLSe9oGcXtpUNGXXhEBIYdZlb40HTj3EDzG_fk4xltxxcCck6AQ/viewform?usp=sf_link" target="_blank" rel="noopener"&gt;this form&lt;/a&gt;, or email Curator Avery Dame-Griff directly at &lt;a href="mailto:admin@queerdigital.com" target="_blank" rel="noopener"&gt;admin@queerdigital.com&lt;/a&gt;.&lt;/p&gt;</text>
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&lt;ul&gt;&#13;
&lt;li&gt;Photo from article in August 01, 1991 issue of the &lt;em&gt;Southern Voice&lt;/em&gt;, "&lt;a href="https://gahistoricnewspapers.galileo.usg.edu/lccn/sn61311684/1991-08-01/ed-1/seq-1/" target="_blank" rel="noopener"&gt;Gay bulletin board services offer everything from dates to debates&lt;/a&gt;."&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
&lt;strong&gt;Links:&lt;/strong&gt;&lt;br /&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;"&lt;a href="https://gahistoricnewspapers.galileo.usg.edu/lccn/sn61311684/1991-08-01/ed-1/seq-1/" target="_blank" rel="noopener"&gt;Gay bulletin board services offer everything from dates to debates." The Southern Voice Vol. 4, No. 12 (August 01, 1991)&lt;/a&gt;: Discusses OUTline along with several other BBSes, including Seattle-based &lt;a href="https://queerdigital.com/items/show/131"&gt;28 Barbary Lane&lt;/a&gt;.&lt;/li&gt;&#13;
&lt;/ul&gt;</text>
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                  <text>&lt;p dir="ltr"&gt;&lt;span&gt;This catalog collects basic information and resources on LGBTQ-related online communities prior to 2010, particularly those from the so-called Web 1.0 period. Each catalog entry includes information on the group’s format, its approximate dates of activity, its audience and topical focus, and links to other materials discussing the group, such as editorial columns, personal essays, or archival materials.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p dir="ltr"&gt;&lt;span&gt;One of the driving impulses for the creation of this catalog was to offer a starting place for research into early LGBTQ life online. In early web research, simply knowing the name of a place or person could, in some cases, be key to one's success. Beyond just its research utility, however, this catalog is also meant to preserve the memory, if not the content, of communities and groups whose names might otherwise be lost or forgotten.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;h2&gt;Why a Catalog?&lt;/h2&gt;&#13;
&lt;p dir="ltr"&gt;The QDHP has chosen to focus on a catalog, as opposed to an archive, for several reasons. Firstly, at its most basic level, an archive is focused on primary material—in this case, the content of posts. However, archiving for most online groups from the mid-1980s up to the late 1990s is often incomplete at best, so in many cases, there’s limited to no archival material available. Instead, what exists in many cases is secondary material, writing describing or reflecting on posters’ experiences with and in these spaces. The catalog, ideally, links these disparate materials together in order to give a slightly fuller picture of the online landscape at any given time.&lt;/p&gt;&#13;
&lt;p dir="ltr"&gt;Secondly, posters in early LGBTQ groups often wrote (sometimes in detail) about close and personal issues in their lives under the assumption that their posts would remain private within the group. Given this, the catalog has been designed to respect posters’ initial expectation of privacy. Linked content has all been previously published in other venues, and any other detailed personal reflections submitted by users specifically for the catalog have been made public with their consent.&lt;/p&gt;&#13;
&lt;h2&gt;What Qualifies A Community For Inclusion?&lt;/h2&gt;&#13;
&lt;p dir="ltr"&gt;&lt;span&gt;There are no specific criteria determining inclusion in the QDCC. However, many of the communitites currently listed in the catalog have multiple references in contemporaneous periodicals, newsletters, web guides, or other LGBTQ-related informational websites. These sources are key for establishing not only the existence of a space, but its particular attributes.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;h2 dir="ltr"&gt;&lt;strong&gt;On Audience Labels&lt;/strong&gt;&lt;/h2&gt;&#13;
&lt;p dir="ltr"&gt;All of the communities cataloged include descriptive metadata culled from various sources, including contemporaneous listings in print publications and online reference guides. However, the terminology used in archival sources does not always match current preferred terms. &lt;a href="http://notchesblog.com/2017/11/28/troubling-terms-the-label-problem-in-transgender-history/" target="_blank" rel="noopener"&gt;As has been discussed elsewhere&lt;/a&gt;, retroactively applying labels with which individuals or spaces might not have identified is a politically fraught act. The QDHP's metadata practices, then, follow a policy similar to that of the &lt;a href="https://www.digitaltransgenderarchive.net/about/policies" target="_blank" rel="noopener"&gt;Digital Transgender Archive&lt;/a&gt;: whenever possible, we use terminology included in contemporaneous decriptions. If terminology is not used or a detailed description is not available, we categorize using terminology derived from the archival reference.&lt;/p&gt;&#13;
&lt;h2&gt;Adding Communities to the Catalog&lt;/h2&gt;&#13;
&lt;p&gt;This catalog is by no means complete, and the QDHP is always looking for new groups to add, if additional information is available. Please feel free to suggest a community for inclusion using &lt;a href="https://docs.google.com/forms/d/e/1FAIpQLSe9oGcXtpUNGXXhEBIYdZlb40HTj3EDzG_fk4xltxxcCck6AQ/viewform?usp=sf_link" target="_blank" rel="noopener"&gt;this form&lt;/a&gt;, or email Curator Avery Dame-Griff directly at &lt;a href="mailto:admin@queerdigital.com" target="_blank" rel="noopener"&gt;admin@queerdigital.com&lt;/a&gt;.&lt;/p&gt;</text>
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              <text>Attached Images:&#13;
&lt;ul&gt;&#13;
&lt;li&gt;Advertisements for GPH, date unknown.&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
External Links:&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;a href="https://www.ina.fr/ina-eclaire-actu/video/cab97017654/salon-de-l-erotisme"&gt;&lt;em&gt;Salon de l'érotisme&lt;/em&gt;&lt;/a&gt; (&lt;em&gt;Antenne 2 Le Journal de 20H&lt;/em&gt;, March 16, 1985)- Short news piece on erotic art &lt;em&gt;salon&lt;/em&gt; in Paris. At 02:39 it includes footage of &lt;em&gt;Gai Pied&lt;/em&gt;'s Minitel site.&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://minitel.us/memorabilia-ephemera/minitel-follies"&gt;"Minitel Follies"&lt;/a&gt; (&lt;em&gt;Gay Comix&lt;/em&gt; Spring/Summer 1988) - Short comic on using gay services on Minitel.&lt;/li&gt;&#13;
&lt;li&gt;Duyves, M. (1993). "&lt;a href="https://www.tandfonline.com/doi/abs/10.1300/J082v25n01_13"&gt;The Minitel: The Glittering Future of a New Invention&lt;/a&gt;." &lt;em&gt;Journal of Homosexuality&lt;/em&gt;, 25(1–2), 193–203.&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://web.archive.org/web/20170325123111/https://www.france.qrd.org/media/gai%20pied/"&gt;Le Biotux, Jean. "Le guêpier des années Gai Pied."&lt;/a&gt; - History of&lt;em&gt; Gai Pied&lt;/em&gt; by the founder that discusses Minitel&lt;/li&gt;&#13;
&lt;li&gt;Livia, A. (2002). "Public and Clandestine: Gay Men’s Pseudonyms on the French Minitel." &lt;i&gt;Sexualities&lt;/i&gt;, &lt;i&gt;5&lt;/i&gt;(2), 201-217. &lt;a href="https://doi.org/10.1177/1363460702005002004"&gt;https://doi.org/10.1177/1363460702005002004&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://tetu.com/2021/03/19/3615-gay-histoire-rencontre-minitel-telephone/" target="_blank" rel="noopener"&gt;"3615 factures exorbitantes et rencontres à l'aveugle... c'était la drague sur minitel."&lt;/a&gt; tetu (March 19, 2021) - Reflections on mens' experiences using gay Minitel sites, including GPH&lt;/li&gt;&#13;
&lt;/ul&gt;</text>
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                  <text>&lt;p dir="ltr"&gt;&lt;span&gt;This catalog collects basic information and resources on LGBTQ-related online communities prior to 2010, particularly those from the so-called Web 1.0 period. Each catalog entry includes information on the group’s format, its approximate dates of activity, its audience and topical focus, and links to other materials discussing the group, such as editorial columns, personal essays, or archival materials.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p dir="ltr"&gt;&lt;span&gt;One of the driving impulses for the creation of this catalog was to offer a starting place for research into early LGBTQ life online. In early web research, simply knowing the name of a place or person could, in some cases, be key to one's success. Beyond just its research utility, however, this catalog is also meant to preserve the memory, if not the content, of communities and groups whose names might otherwise be lost or forgotten.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;h2&gt;Why a Catalog?&lt;/h2&gt;&#13;
&lt;p dir="ltr"&gt;The QDHP has chosen to focus on a catalog, as opposed to an archive, for several reasons. Firstly, at its most basic level, an archive is focused on primary material—in this case, the content of posts. However, archiving for most online groups from the mid-1980s up to the late 1990s is often incomplete at best, so in many cases, there’s limited to no archival material available. Instead, what exists in many cases is secondary material, writing describing or reflecting on posters’ experiences with and in these spaces. The catalog, ideally, links these disparate materials together in order to give a slightly fuller picture of the online landscape at any given time.&lt;/p&gt;&#13;
&lt;p dir="ltr"&gt;Secondly, posters in early LGBTQ groups often wrote (sometimes in detail) about close and personal issues in their lives under the assumption that their posts would remain private within the group. Given this, the catalog has been designed to respect posters’ initial expectation of privacy. Linked content has all been previously published in other venues, and any other detailed personal reflections submitted by users specifically for the catalog have been made public with their consent.&lt;/p&gt;&#13;
&lt;h2&gt;What Qualifies A Community For Inclusion?&lt;/h2&gt;&#13;
&lt;p dir="ltr"&gt;&lt;span&gt;There are no specific criteria determining inclusion in the QDCC. However, many of the communitites currently listed in the catalog have multiple references in contemporaneous periodicals, newsletters, web guides, or other LGBTQ-related informational websites. These sources are key for establishing not only the existence of a space, but its particular attributes.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;h2 dir="ltr"&gt;&lt;strong&gt;On Audience Labels&lt;/strong&gt;&lt;/h2&gt;&#13;
&lt;p dir="ltr"&gt;All of the communities cataloged include descriptive metadata culled from various sources, including contemporaneous listings in print publications and online reference guides. However, the terminology used in archival sources does not always match current preferred terms. &lt;a href="http://notchesblog.com/2017/11/28/troubling-terms-the-label-problem-in-transgender-history/" target="_blank" rel="noopener"&gt;As has been discussed elsewhere&lt;/a&gt;, retroactively applying labels with which individuals or spaces might not have identified is a politically fraught act. The QDHP's metadata practices, then, follow a policy similar to that of the &lt;a href="https://www.digitaltransgenderarchive.net/about/policies" target="_blank" rel="noopener"&gt;Digital Transgender Archive&lt;/a&gt;: whenever possible, we use terminology included in contemporaneous decriptions. If terminology is not used or a detailed description is not available, we categorize using terminology derived from the archival reference.&lt;/p&gt;&#13;
&lt;h2&gt;Adding Communities to the Catalog&lt;/h2&gt;&#13;
&lt;p&gt;This catalog is by no means complete, and the QDHP is always looking for new groups to add, if additional information is available. Please feel free to suggest a community for inclusion using &lt;a href="https://docs.google.com/forms/d/e/1FAIpQLSe9oGcXtpUNGXXhEBIYdZlb40HTj3EDzG_fk4xltxxcCck6AQ/viewform?usp=sf_link" target="_blank" rel="noopener"&gt;this form&lt;/a&gt;, or email Curator Avery Dame-Griff directly at &lt;a href="mailto:admin@queerdigital.com" target="_blank" rel="noopener"&gt;admin@queerdigital.com&lt;/a&gt;.&lt;/p&gt;</text>
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                  <text>&lt;p dir="ltr"&gt;&lt;span&gt;This catalog collects basic information and resources on LGBTQ-related online communities prior to 2010, particularly those from the so-called Web 1.0 period. Each catalog entry includes information on the group’s format, its approximate dates of activity, its audience and topical focus, and links to other materials discussing the group, such as editorial columns, personal essays, or archival materials.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p dir="ltr"&gt;&lt;span&gt;One of the driving impulses for the creation of this catalog was to offer a starting place for research into early LGBTQ life online. In early web research, simply knowing the name of a place or person could, in some cases, be key to one's success. Beyond just its research utility, however, this catalog is also meant to preserve the memory, if not the content, of communities and groups whose names might otherwise be lost or forgotten.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;h2&gt;Why a Catalog?&lt;/h2&gt;&#13;
&lt;p dir="ltr"&gt;The QDHP has chosen to focus on a catalog, as opposed to an archive, for several reasons. Firstly, at its most basic level, an archive is focused on primary material—in this case, the content of posts. However, archiving for most online groups from the mid-1980s up to the late 1990s is often incomplete at best, so in many cases, there’s limited to no archival material available. Instead, what exists in many cases is secondary material, writing describing or reflecting on posters’ experiences with and in these spaces. The catalog, ideally, links these disparate materials together in order to give a slightly fuller picture of the online landscape at any given time.&lt;/p&gt;&#13;
&lt;p dir="ltr"&gt;Secondly, posters in early LGBTQ groups often wrote (sometimes in detail) about close and personal issues in their lives under the assumption that their posts would remain private within the group. Given this, the catalog has been designed to respect posters’ initial expectation of privacy. Linked content has all been previously published in other venues, and any other detailed personal reflections submitted by users specifically for the catalog have been made public with their consent.&lt;/p&gt;&#13;
&lt;h2&gt;What Qualifies A Community For Inclusion?&lt;/h2&gt;&#13;
&lt;p dir="ltr"&gt;&lt;span&gt;There are no specific criteria determining inclusion in the QDCC. However, many of the communitites currently listed in the catalog have multiple references in contemporaneous periodicals, newsletters, web guides, or other LGBTQ-related informational websites. These sources are key for establishing not only the existence of a space, but its particular attributes.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;h2 dir="ltr"&gt;&lt;strong&gt;On Audience Labels&lt;/strong&gt;&lt;/h2&gt;&#13;
&lt;p dir="ltr"&gt;All of the communities cataloged include descriptive metadata culled from various sources, including contemporaneous listings in print publications and online reference guides. However, the terminology used in archival sources does not always match current preferred terms. &lt;a href="http://notchesblog.com/2017/11/28/troubling-terms-the-label-problem-in-transgender-history/" target="_blank" rel="noopener"&gt;As has been discussed elsewhere&lt;/a&gt;, retroactively applying labels with which individuals or spaces might not have identified is a politically fraught act. The QDHP's metadata practices, then, follow a policy similar to that of the &lt;a href="https://www.digitaltransgenderarchive.net/about/policies" target="_blank" rel="noopener"&gt;Digital Transgender Archive&lt;/a&gt;: whenever possible, we use terminology included in contemporaneous decriptions. If terminology is not used or a detailed description is not available, we categorize using terminology derived from the archival reference.&lt;/p&gt;&#13;
&lt;h2&gt;Adding Communities to the Catalog&lt;/h2&gt;&#13;
&lt;p&gt;This catalog is by no means complete, and the QDHP is always looking for new groups to add, if additional information is available. Please feel free to suggest a community for inclusion using &lt;a href="https://docs.google.com/forms/d/e/1FAIpQLSe9oGcXtpUNGXXhEBIYdZlb40HTj3EDzG_fk4xltxxcCck6AQ/viewform?usp=sf_link" target="_blank" rel="noopener"&gt;this form&lt;/a&gt;, or email Curator Avery Dame-Griff directly at &lt;a href="mailto:admin@queerdigital.com" target="_blank" rel="noopener"&gt;admin@queerdigital.com&lt;/a&gt;.&lt;/p&gt;</text>
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&lt;li&gt;Advertisment for MetroLink from &lt;a href="https://newspapers.digitalnc.org/lccn/2006225405/1991-08-01/ed-1/" target="_blank" rel="noopener"&gt;&lt;em&gt;Q-Notes&lt;/em&gt; (August 1, 1991)&lt;/a&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
External Links:&lt;br /&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;Discussed in &lt;a href="https://newspapers.digitalnc.org/lccn/sn90018324/1992-10-30/ed-1/seq-3/"&gt;&lt;em&gt;The Front Page&lt;/em&gt; (Oct. 30, 1992)&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;Discussed in "&lt;a href="https://newspapers.digitalnc.org/lccn/2006225405/1993-03-01/ed-1/seq-31/" target="_blank" rel="noopener"&gt;Bulletin Board Systems cater to gays &amp;amp; lesbians&lt;/a&gt;," &lt;em&gt;Q-Notes&lt;/em&gt; (March 1, 1993) &lt;/li&gt;&#13;
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              <text>This scrape of &lt;a href="https://transgriot.blogspot.com/" target="_blank" rel="noopener"&gt;transgriot.blogspot.com&lt;/a&gt; was completed 7-28-2025 using &lt;a href="https://www.httrack.com/" target="_blank" rel="noopener"&gt;HTTrack&lt;/a&gt;. It includes copies of the core index pages, embedded images (when still available) as well as individual blog entries, including comments. Pages for applied "labels" were not scraped to reduce file size, though they are currently available on the live web version. While the page has been archived by the Internet Archive's Wayback Machine, this scrape is intended to independently preserve the site, as well as to provide the site as a possible corpus for textual analysis.&lt;br /&gt;&lt;br /&gt;Due to the file size (506 MB, .7z archive or .warc.gz), the scrape is available by request - simply email admin AT queerdigital.com. To browse the mirrored site (.7z archive), open index.html in the top-level folder.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Checksum (SHA-256):&amp;nbsp;&lt;/strong&gt; f7485f5285ee89a9dcbcfebdb0d2bd1d652b7b1579c891bc8eb95131a9084968&lt;br /&gt;&lt;br /&gt;----&lt;br /&gt;&lt;strong&gt;Bio:&lt;/strong&gt; Monica Roberts (May 4, 1962 – Oct 5, 2020) was an African-American journalist and transgender activist, based out of Houston, TX. Her blog &lt;em&gt;TransGriot&lt;/em&gt; focused on trans issues, particularly African-American and other trans women of color. She was especially noted for her coverage of trans homicide victims in the United States, which brought national attention to these cases. &lt;br /&gt;&lt;br /&gt;Included below are links to other information on Roberts:&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;a href="https://www.thetaskforce.org/news/monica-roberts-in-her-own-words/"&gt;Roberts's acceptance speech for the Sue Hyde Award for Longevity in the Movement&lt;/a&gt; (Jan 16, 2020)&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://www.them.us/story/monica-roberts-transgriot-profile" target="_blank" rel="noopener"&gt;them.us profile of Roberts&lt;/a&gt; (Feb 26, 2020)&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://www.nytimes.com/2020/10/13/us/monica-roberts-dead.html" target="_blank" rel="noopener"&gt;New York Times obituary&lt;/a&gt; (Oct 13, 2020)&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://19thnews.org/2023/02/monica-roberts-transgriot-legacy-media-advocacy-trans-people/" target="_blank" rel="noopener"&gt;19th News retorpsective on Roberts' impact&lt;/a&gt; (Feb 21, 2023)&lt;/li&gt;&#13;
&lt;/ul&gt;</text>
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              <text>This scrape of &lt;a href="https://ai.eecs.umich.edu/people/conway/"&gt;https://ai.eecs.umich.edu/people/conway/&lt;/a&gt; was completed 7-30-2025 using &lt;a href="https://www.httrack.com/" target="_blank" rel="noopener"&gt;HTTrack&lt;/a&gt;. It includes copies of all pages and files currently available on the University of Michigan servers. While the page has been archived by the Internet Archive's Wayback Machine, this scrape is intended to independently preserve the site, as well as to provide the site as a possible corpus for textual analysis.&lt;br /&gt;&lt;br /&gt;Due to the file size (960 MB, .7z archive or .warc.gz), the scrape is available by request - simply email admin AT queerdigital.com. To browse the mirrored site (.7z archive), open index.html in the top-level folder.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Checksum (SHA-256): &lt;/strong&gt;92ee27551fab512b7c8f6e3d4d3aa55511f371d93980b0f6f13802fa4739df0c&lt;br /&gt;&lt;br /&gt;----&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Bio:&lt;/strong&gt; Lynn Ann Conway (January 2, 1938 – June 9, 2024) was a computer scientist and transgender rights activist. Professionally, she is best known for her role in revolutionizing microship design. Early in her career, she was fired from IBM in 1968 when she revealed her intent to transition under the care of Dr. Harry Benjamin. Following transition, she worked at Xerox PARC (Palo Alto Research Center) for many years before becoming a professor of electrical engineering and computer science at the University of Michigan. In 2000, Conway began to talk about her tranistion and earlier experiences through her website. The site grew to include a variety of informational resources on trans topics, a gallery of successful trans women and trans men, and records of her ongoing activism, including her campaign to challenge J. Michael Bailey's theory of "autogynephelia" and his associated 2003 book &lt;em&gt;The Man Who Would Be&lt;/em&gt; &lt;em&gt;Queen&lt;/em&gt;.&lt;br /&gt;&lt;br /&gt;Included below are links to other information on Conway:&lt;br /&gt;&#13;
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&lt;li&gt;&lt;a href="https://vault.library.uvic.ca/concern/generic_works/be4d1f53-36ce-4cf9-a1a7-f707e8aa9e3a" target="_blank" rel="noopener"&gt;Oral History with Lynn Conway&lt;/a&gt;, conducted with Evan Taylor (Feb 04, 2020)&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://ieeexplore.ieee.org/document/10148834" target="_blank" rel="noopener"&gt;Interview with Lynn Conway, published in &lt;em&gt;IEEE Annals of the History of Computing&lt;/em&gt;&lt;/a&gt;&lt;em&gt;&lt;/em&gt; (April-June 2023)&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://www.nytimes.com/2024/06/15/technology/lynn-conway-dead.html" target="_blank" rel="noopener"&gt;New York Times obituary&lt;/a&gt; (June 15, 2024)&lt;/li&gt;&#13;
&lt;/ul&gt;</text>
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                  <text>&lt;p dir="ltr"&gt;&lt;span&gt;This catalog collects basic information and resources on LGBTQ-related online communities prior to 2010, particularly those from the so-called Web 1.0 period. Each catalog entry includes information on the group’s format, its approximate dates of activity, its audience and topical focus, and links to other materials discussing the group, such as editorial columns, personal essays, or archival materials.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p dir="ltr"&gt;&lt;span&gt;One of the driving impulses for the creation of this catalog was to offer a starting place for research into early LGBTQ life online. In early web research, simply knowing the name of a place or person could, in some cases, be key to one's success. Beyond just its research utility, however, this catalog is also meant to preserve the memory, if not the content, of communities and groups whose names might otherwise be lost or forgotten.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;h2&gt;Why a Catalog?&lt;/h2&gt;&#13;
&lt;p dir="ltr"&gt;The QDHP has chosen to focus on a catalog, as opposed to an archive, for several reasons. Firstly, at its most basic level, an archive is focused on primary material—in this case, the content of posts. However, archiving for most online groups from the mid-1980s up to the late 1990s is often incomplete at best, so in many cases, there’s limited to no archival material available. Instead, what exists in many cases is secondary material, writing describing or reflecting on posters’ experiences with and in these spaces. The catalog, ideally, links these disparate materials together in order to give a slightly fuller picture of the online landscape at any given time.&lt;/p&gt;&#13;
&lt;p dir="ltr"&gt;Secondly, posters in early LGBTQ groups often wrote (sometimes in detail) about close and personal issues in their lives under the assumption that their posts would remain private within the group. Given this, the catalog has been designed to respect posters’ initial expectation of privacy. Linked content has all been previously published in other venues, and any other detailed personal reflections submitted by users specifically for the catalog have been made public with their consent.&lt;/p&gt;&#13;
&lt;h2&gt;What Qualifies A Community For Inclusion?&lt;/h2&gt;&#13;
&lt;p dir="ltr"&gt;&lt;span&gt;There are no specific criteria determining inclusion in the QDCC. However, many of the communitites currently listed in the catalog have multiple references in contemporaneous periodicals, newsletters, web guides, or other LGBTQ-related informational websites. These sources are key for establishing not only the existence of a space, but its particular attributes.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;h2 dir="ltr"&gt;&lt;strong&gt;On Audience Labels&lt;/strong&gt;&lt;/h2&gt;&#13;
&lt;p dir="ltr"&gt;All of the communities cataloged include descriptive metadata culled from various sources, including contemporaneous listings in print publications and online reference guides. However, the terminology used in archival sources does not always match current preferred terms. &lt;a href="http://notchesblog.com/2017/11/28/troubling-terms-the-label-problem-in-transgender-history/" target="_blank" rel="noopener"&gt;As has been discussed elsewhere&lt;/a&gt;, retroactively applying labels with which individuals or spaces might not have identified is a politically fraught act. The QDHP's metadata practices, then, follow a policy similar to that of the &lt;a href="https://www.digitaltransgenderarchive.net/about/policies" target="_blank" rel="noopener"&gt;Digital Transgender Archive&lt;/a&gt;: whenever possible, we use terminology included in contemporaneous decriptions. If terminology is not used or a detailed description is not available, we categorize using terminology derived from the archival reference.&lt;/p&gt;&#13;
&lt;h2&gt;Adding Communities to the Catalog&lt;/h2&gt;&#13;
&lt;p&gt;This catalog is by no means complete, and the QDHP is always looking for new groups to add, if additional information is available. Please feel free to suggest a community for inclusion using &lt;a href="https://docs.google.com/forms/d/e/1FAIpQLSe9oGcXtpUNGXXhEBIYdZlb40HTj3EDzG_fk4xltxxcCck6AQ/viewform?usp=sf_link" target="_blank" rel="noopener"&gt;this form&lt;/a&gt;, or email Curator Avery Dame-Griff directly at &lt;a href="mailto:admin@queerdigital.com" target="_blank" rel="noopener"&gt;admin@queerdigital.com&lt;/a&gt;.&lt;/p&gt;</text>
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              <text>&lt;strong&gt;Attached Files:&lt;/strong&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;Screenshot of archived landing page for Chainsaw Records Message Board (archived April 13, 1997)&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
&lt;strong&gt;Links:&lt;/strong&gt;&lt;br /&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;a href="https://eminism.org/michigan/19990608-chainsaw.html" target="_blank" rel="noopener"&gt;Archived message board thread discussing Mr. Lady Records &amp;amp; The Butchies choice to perform at Michigan Womyn's Music Festival&lt;/a&gt; (MWMF) (1999)&lt;/li&gt;&#13;
&lt;li&gt;"&lt;a href="https://www.portlandmercury.com/music/who-signs-their-graffiti-22602/" target="_blank" rel="noopener"&gt;Who Signs Their Graffiti?&lt;/a&gt;," Portland Mercury (Aug 3, 2000): Article on the implementation of user registration on the message board&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://magazine.plazm.com/post-utopic-jd-samson-on-art-sincerity-and-the-l-word-bb10886f14b1" target="_blank" rel="noopener"&gt;"Post Utopic: JD Samson on Art, Sincerity, and the L Word."&lt;/a&gt; &amp;nbsp;&lt;em&gt;plazm magazine &lt;/em&gt;#28. (2008): Interview with JD Samson that discusses message board and its impact&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://www.opb.org/article/2025/09/19/think-out-loudnorthwest-punk-band-team-dresch/" target="_blank" rel="noopener"&gt;"Pioneering Northwest punk band touring for 30th anniversary," Oregon Public Radio (Sept 19, 2025): &lt;/a&gt;Interview with Team Dresch that discusses message board&lt;/li&gt;&#13;
&lt;/ul&gt;</text>
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              <text>&lt;a href="https://web.archive.org/web/19970413015027/http://www.chainsaw.com/cgi-bin/post/post.pl" target="_blank" rel="noopener"&gt;Chainsaw Records Message Board (archived April 13, 1997)&lt;/a&gt;</text>
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                  <text>&lt;p dir="ltr"&gt;&lt;span&gt;This catalog collects basic information and resources on LGBTQ-related online communities prior to 2010, particularly those from the so-called Web 1.0 period. Each catalog entry includes information on the group’s format, its approximate dates of activity, its audience and topical focus, and links to other materials discussing the group, such as editorial columns, personal essays, or archival materials.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p dir="ltr"&gt;&lt;span&gt;One of the driving impulses for the creation of this catalog was to offer a starting place for research into early LGBTQ life online. In early web research, simply knowing the name of a place or person could, in some cases, be key to one's success. Beyond just its research utility, however, this catalog is also meant to preserve the memory, if not the content, of communities and groups whose names might otherwise be lost or forgotten.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;h2&gt;Why a Catalog?&lt;/h2&gt;&#13;
&lt;p dir="ltr"&gt;The QDHP has chosen to focus on a catalog, as opposed to an archive, for several reasons. Firstly, at its most basic level, an archive is focused on primary material—in this case, the content of posts. However, archiving for most online groups from the mid-1980s up to the late 1990s is often incomplete at best, so in many cases, there’s limited to no archival material available. Instead, what exists in many cases is secondary material, writing describing or reflecting on posters’ experiences with and in these spaces. The catalog, ideally, links these disparate materials together in order to give a slightly fuller picture of the online landscape at any given time.&lt;/p&gt;&#13;
&lt;p dir="ltr"&gt;Secondly, posters in early LGBTQ groups often wrote (sometimes in detail) about close and personal issues in their lives under the assumption that their posts would remain private within the group. Given this, the catalog has been designed to respect posters’ initial expectation of privacy. Linked content has all been previously published in other venues, and any other detailed personal reflections submitted by users specifically for the catalog have been made public with their consent.&lt;/p&gt;&#13;
&lt;h2&gt;What Qualifies A Community For Inclusion?&lt;/h2&gt;&#13;
&lt;p dir="ltr"&gt;&lt;span&gt;There are no specific criteria determining inclusion in the QDCC. However, many of the communitites currently listed in the catalog have multiple references in contemporaneous periodicals, newsletters, web guides, or other LGBTQ-related informational websites. These sources are key for establishing not only the existence of a space, but its particular attributes.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;h2 dir="ltr"&gt;&lt;strong&gt;On Audience Labels&lt;/strong&gt;&lt;/h2&gt;&#13;
&lt;p dir="ltr"&gt;All of the communities cataloged include descriptive metadata culled from various sources, including contemporaneous listings in print publications and online reference guides. However, the terminology used in archival sources does not always match current preferred terms. &lt;a href="http://notchesblog.com/2017/11/28/troubling-terms-the-label-problem-in-transgender-history/" target="_blank" rel="noopener"&gt;As has been discussed elsewhere&lt;/a&gt;, retroactively applying labels with which individuals or spaces might not have identified is a politically fraught act. The QDHP's metadata practices, then, follow a policy similar to that of the &lt;a href="https://www.digitaltransgenderarchive.net/about/policies" target="_blank" rel="noopener"&gt;Digital Transgender Archive&lt;/a&gt;: whenever possible, we use terminology included in contemporaneous decriptions. If terminology is not used or a detailed description is not available, we categorize using terminology derived from the archival reference.&lt;/p&gt;&#13;
&lt;h2&gt;Adding Communities to the Catalog&lt;/h2&gt;&#13;
&lt;p&gt;This catalog is by no means complete, and the QDHP is always looking for new groups to add, if additional information is available. Please feel free to suggest a community for inclusion using &lt;a href="https://docs.google.com/forms/d/e/1FAIpQLSe9oGcXtpUNGXXhEBIYdZlb40HTj3EDzG_fk4xltxxcCck6AQ/viewform?usp=sf_link" target="_blank" rel="noopener"&gt;this form&lt;/a&gt;, or email Curator Avery Dame-Griff directly at &lt;a href="mailto:admin@queerdigital.com" target="_blank" rel="noopener"&gt;admin@queerdigital.com&lt;/a&gt;.&lt;/p&gt;</text>
                </elementText>
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            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="19">
      <name>Mailing List</name>
      <description>E-mail Mailing Lists</description>
      <elementContainer>
        <element elementId="58">
          <name>Intended Audience</name>
          <description>The forum's intended audience</description>
          <elementTextContainer>
            <elementText elementTextId="1134">
              <text>Transgender People</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="53">
          <name>Year Founded (approximate)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="1135">
              <text>1995</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="54">
          <name>Last Year Active (approximate)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="1136">
              <text>2019</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="57">
          <name>Sponsor or Institutional Host</name>
          <description>Organizations that hosted, sponsored, or maintained the forum</description>
          <elementTextContainer>
            <elementText elementTextId="1137">
              <text>Hosted in York University's servers</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="59">
          <name>Primary Language</name>
          <description>Primary language used by participants</description>
          <elementTextContainer>
            <elementText elementTextId="1138">
              <text>Canadian English</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="60">
          <name>Exterior References</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="1139">
              <text>&lt;ul&gt;&#13;
&lt;li&gt;Attached screenshot: Mentioned in &lt;em&gt;The Monarch Reader&lt;/em&gt; (Issue 51). 1999.&lt;/li&gt;&#13;
&lt;li&gt;Listing in &lt;a href="http://www.qrd.org/qrd/trans/tgc-l"&gt;Queer Resource Directory&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;Mentioned in annotation on &lt;a href="https://www.digitaltransgenderarchive.net/files/3b591857h" target="_blank" rel="noopener"&gt;handout for JoAnn Roberts' 1995 Fantasia Fair workshop, "Navigating in Cyberspace."&lt;/a&gt;&amp;nbsp;&lt;/li&gt;&#13;
&lt;li&gt;Discussed in Gilbert, Michael (Miqqi Alicia). "&lt;a href="https://archive.org/details/transgendertapes9820unse/page/12/mode/2up" target="_blank" rel="noopener"&gt;Prof. Miqqi Goes to Work [12 November 1996]&lt;/a&gt;." &lt;em&gt;Transgender Tapestry&lt;/em&gt; #98 (Summer 2002).&lt;/li&gt;&#13;
&lt;/ul&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1133">
                <text>Transgender Canada Listserv (TGC-L)</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="40">
        <name>mailing list</name>
      </tag>
      <tag tagId="2">
        <name>transgender people</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
